— LED Wall · Corporate Stage
Conference stage backdrop — 6 × 3 m, 2.6 mm pitch
Problem. A 6 × 3 m stage backdrop for hybrid conferences needs to read clearly on stage and on broadcast camera without moiré.
Answer. A 2.6 mm pitch at 6 × 3 m delivers approximately 2304 × 1152 native — sharp on stage at 4 m+ and clean enough for camera capture with anti-moiré processing.
02 / In depth
How this preset reads — the engineering view.
Stage LED walls have a second audience the calculator only indirectly captures: the broadcast camera. Pixel pitch decisions need to consider on-camera moiré, frame-rate compatibility (3840/2160 Hz scan rates are standard) and the colour-fidelity of the cabinet generation.
This preset configures a 6 × 3 m stage at 2.6 mm — a common pitch for COB and SMD cabinets in this size range. The calculator returns approximate native resolution, cabinet count and electrical load. Combined with the venue's broadcast and lighting stack, this is enough to start a vendor RFP.
Note the calculator doesn't substitute for a stage scenic designer. Wall arc, top mask, side wing extensions and the stage-floor LED option are decisions made against the camera plan and the content's compositional intent, not the planner's rectangular footprint.
Long-term notes: COB technology has effectively replaced SMD at the premium end for stage use (improved viewing angle, better contrast, lower per-pixel failure), but at a price premium. The calculator is technology-agnostic — pitch and area are what it knows.
What this preset deliberately does not solve
- Camera capture (broadcast / hybrid event) demands scan-rate and moiré assessment.
- Real stage walls usually combine main + side wings + floor — modular planning replaces single-rectangle math.
- COB vs SMD is a quality/price decision the calculator does not surface.
How this preset differs from its siblings
The hotel-lobby sibling preset is a always-on hospitality wall sized for passive viewers; pitch is set against minimum viewing distance and nothing else. This preset's distinguishing constraint is the broadcast camera capturing the wall — pitch, scan rate and cabinet generation decisions are all secondarily about on-camera moiré and colour fidelity, not just human viewing distance. The wall is also significantly larger (6×3 m vs 4×2 m), which changes the cabinet count and electrical-load profile materially.
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Brief us on the project — with this configuration.
Presets are a typology starting point. The brief wizard captures the room geometry, programme and constraints we need to translate this configuration into a real design.