AV Solutions.
Rooms that earn their occupancy.

AV rooms in India run ₹12–22 lakh for a 12-seat boardroom, ₹65 lakh–1.6 crore for a 200-seat auditorium and ₹45 lakh–2.5 crore for a reference home cinema. A 12-seat boardroom with single-touch Microsoft Teams join, ceiling-array mics and an 86-inch interactive panel: ₹12–22 lakh. A 200-seat auditorium with line-array PA, 4K laser projection and stage lighting: ₹65 lakh–1.6 crore. A reference home cinema with 9.1.6 Atmos with JBL Professional and a BenQ screen: ₹45 lakh–2.5 crore. We provide an itemised BOQ for every quote — no hidden line items.

Because the room is half the system — an untreated boardroom exhausts occupants in 30 minutes regardless of speaker quality, so we measure RT60, STI and clarity and prescribe absorbers and bass traps at calculated coverage. The room is half the system. An untreated boardroom with stone floor and glass walls will exhaust its occupants by minute thirty regardless of how good the speakers are. We measure RT60, STI and clarity scores for every room above 200 sq ft, model in EASE where the brief warrants, and prescribe absorbers, diffusers and bass traps at calculated coverage. Acoustic treatment is typically 6–12% of total room cost and decisive of the result.

Choose Teams Rooms for Microsoft 365 shops, Zoom Rooms for Zoom-standardised enterprises and Cisco Webex for regulated sectors — we deploy and certify all three. Whichever your organisation already uses for client calls. Teams Rooms is the right answer for any Microsoft 365 shop because of single-touch join, calendar integration and IT manageability. Zoom Rooms remains best-in-class for enterprises standardised on Zoom. Cisco Webex remains strong in regulated sectors. We deploy and certify all three.

Both work — dedicated cinemas give the absolute reference; media rooms with motorised drapery for blackout integrate into family use. Dedicated cinemas — black-painted, isolated, treated — give the absolute reference. Media rooms — combined with daylight, opens onto the living area, uses motorised drapery for blackout — are still excellent and integrate into family use. We engineer both, and we explain the audio and visual compromises of each before specifying.

Yes — acoustic ceiling clouds, fabric-wrapped wall absorbers, riser-mounted seating, motorised drapery and projection lift housings are part of our integrated AV scope. In coordination with the architect and the interior designer. Acoustic ceiling clouds, fabric-wrapped wall absorbers, riser-mounted seating with hidden bass-shakers, motorised cinema drapery, projection lift housings — all delivered as part of the integrated AV scope rather than handed off to a separate trade.

A reference cinema is a single-purpose, light-tight, treated room with reference-grade speakers calibrated to the seating plane; a media room shares life with the home but compromises absolute performance for daily usability. A single-purpose room — light-tight, acoustically isolated, treated to a calculated decay curve, with reference-grade speakers calibrated to the seating plane. A media room shares life with the rest of the home — daylight, sofas, a coffee table, motorised drapery for blackout when needed. Both can deliver an excellent experience; the cinema delivers the absolute. We design either honestly, and we explain the audio and visual compromises before specifying.

In-house — we design, calculate and install acoustic treatment ourselves, measuring RT60, STI and clarity in every commissioned room. Design, calculation and installation in-house. Acoustic envelope is half the system, and handing it to a separate trade is how rooms end up underperforming their hardware spec. We measure RT60, STI and clarity in every commissioned room and tune the absorber-diffuser-bass-trap mix until the room reads to the architect's brief and to the listening test.

Yes — banquet halls can switch between auditorium, wedding and banquet modes via operator-pressed presets that reconfigure the same hardware. With the right system architecture. We design hospitality and institutional halls with mode-switch presets: auditorium mode (lectern PA, projection, recorded video routing), wedding mode (DJ booth feed, dance-floor SPL, façade lighting), banquet mode (background music, microphone for speeches). The same hardware serves all three, and the operator presses one preset to reconfigure. Multi-mode rooms earn far more occupancy than single-purpose builds.