Skip to content
TechnoGuru — Think Technology, Think TechnoGuru

Speaker Coverage · Ceiling 100V

JBL Professional Control 26CT: SPL & coverage

Problem. A 15 x 10 m restaurant relying on background music needs to know whether a single ceiling cabinet keeps speech-and-music levels comfortable at typical table distances, not just how many boxes fit the floor plan on paper. The Control 26CT's rated output and dispersion answer both the SPL-adequacy question and the physical coverage-radius question for this specific cabinet before layout is finalised.

Answer. For the restaurant-bgm scene at a 4 m listener distance and 50% drive, the Control 26CT delivers approximately 92 dB SPL, comfortably within a background-music target. Its 110 x 110 degree dispersion gives a horizontal (-6 dB) coverage radius of approximately 5.7 m from a single ceiling position.

02 / In depth

How this preset reads — the engineering view.

The Control 26CT is rated 107 dB maximum SPL at 1 m. Because sound pressure falls with distance under the inverse-square relationship, that figure drops to approximately 95 dB at 4 m when driven at full output, and to approximately 92 dB at 4 m when the planner's drive level is set to 50 percent.

The cabinet's 110 x 110 degree (H x V) dispersion is what sets the approximately 5.7 m horizontal coverage radius at the -6 dB threshold used by the planner. This wide, symmetrical pattern favours even near-field fill under a single ceiling point rather than a tightly thrown beam. Control 26CT is a passive cabinet, so it always needs a matched amplifier channel rather than built-in electronics.

In the planner, drag the listener-distance and drive-level controls to watch the SPL readout move in real time. The suggested box count is a front-coverage estimate based on room area and dispersion radius; SPL adequacy at the chosen listener point is a separate feasibility check, and both should read acceptable before treating a layout as workable.

The planner does not model room reverberation or RT60 decay, coverage zoning across separate seating or bar areas, subwoofer pairing for low-frequency extension, mechanical rigging for arrays, or DSP/delay tuning between multiple ceiling points. Treat its output as a first-pass coverage and SPL check, not a substitute for an on-site acoustic review of the finished space.

What this preset deliberately does not solve

  • SPL figures are free-field inverse-square estimates from the rated 1 m sensitivity; real rooms with reflective or absorptive surfaces will read somewhat higher or lower than the planner's number.
  • The 5.7 m coverage radius assumes a single ceiling-mounted cabinet aimed straight down; angled mounting, obstructions, or ceiling height outside a typical range will change the effective footprint.
  • The planner checks coverage and SPL only; it does not verify amplifier channel matching, cable runs, or ceiling-tile mounting compatibility for this cabinet.

How this preset differs from its siblings

Other ceiling 100V cabinets in the catalogue trade off maximum SPL, dispersion angle, and cone size differently, so the same room and listener distance can land at a different feasibility outcome. The Control 26CT's 107 dB rating and 110 x 110 degree pattern sit toward the wider-coverage, moderate-output end of that range, making it suited to even background-music fill in modest-sized rooms rather than higher-SPL foreground playback. This preset exists because swapping in a narrower or higher-output cabinet on the same 15 x 10 m room changes both the box count and the SPL margin, and visitors searching for this exact model need the numbers for this cabinet, not a generic ceiling-speaker estimate.

03 / Hydrated calculator

Try the configuration — live.

The calculator below is preloaded with this preset’s state. Adjust any input — your URL stays shareable.

— Planner · speaker coverage

SPL, coverage radius and quantity, estimated.

Pick a brand, model and application. An indicative free-field SPL at the listener, coverage radius on the -6 dB axis and a planning-level box count for the room — a starting point for design, not a final specification. K-array, KGEAR, JBL Pro, d&b, L-Acoustics, Fonestar, Ecler.

SPEAKER · JBL ProfessionalLISTENER · 4.00 mROOM 15.00 m × 10.00 m · COVERAGE r ≈ 5.71 m
IndicativeIndicative planning estimate

Max SPL at listener

95

dB · target 75 dB · headroom +20 dB

Coverage radius

5.7

metres · -6 dB axis

Quantity

1

boxes for 150.0 m²

A planning link — not a quote.

model
JBL Professional Control 26CT
max spl
107 dB @1m
spl at listener
92 dB · max 95 dB
dispersion
H 110° · V 110°
sensitivity
89 dB @1W/1m
power
30 W applied · 60 W RMS
bandwidth
75-20000 Hz
impedance
70V line
coverage
r ≈ 5.71 m · area 102.5 m²

6.5-inch in-ceiling speaker with 70V/100V transformer (60W top tap). Workhorse for distributed BGM in offices, restaurants, hospitality corridors.

What changes this estimate

  • Room drawings & obstructions
  • Confirmed ceiling height
  • Finishes & absorption in the space
  • Final loudspeaker model & dispersion

Feasibility

95 dB max at the listener carries 20 dB over the 75 dB target — comfortable headroom; a smaller cabinet may be more cost-effective.

A planning link — not a quote.

· Other presets for speaker coverage planner

Speaker Coverage · Hospitality

Hotel lobby — background music, 20 × 12 m

A premium hotel lobby needs even, conversation-friendly background audio at 70–75 dB without ceiling speakers that visibly puncture the architecture.

Speaker Coverage · Auditorium

300-seat conference auditorium — speech-priority line array

A 300-seat corporate auditorium needs 85 dB of intelligible speech at the rear row with even SPL across the seating bowl and minimal visual impact.

Speaker Coverage · House of Worship

500-capacity house of worship — touring-grade headroom

A 500-capacity worship space needs 90 dB of headroom for music programme plus speech, even coverage across pews and a system that won't be the visual subject.

Speaker Coverage · Touring line array

L-Acoustics K2 touring line array — SPL & coverage

A 40 x 25 m live event space needs confirmed SPL at the furthest listener position, not just a box count, before the touring line-array design is locked. The decision that matters here is whether the rated output of a single K2 element, once distance and drive level are accounted for, actually clears the target at the back of the room.

Speaker Coverage · Install line array

L-Acoustics A15 Focus — SPL & coverage in a 30 × 18 m hall

A 30 × 18 m conference auditorium needs confirmed SPL at the furthest listener before committing to a passive install line-array cabinet, and needs to know how far its horizontal pattern actually reaches before spacing hangs across the room.

Speaker Coverage · Touring line array

d&b audiotechnik V8 — SPL & coverage for live events

A 40 × 25 m live-event space needs confirmed SPL at a 20 m listener position plus a defensible horizontal coverage figure before a touring line-array cabinet is committed to the rig plan.

Speaker Coverage · Install line array

d&b audiotechnik Y8 SPL & coverage

A 30 x 18 m conference auditorium needs enough level at the back rows without over-driving the front seats or spraying sound onto side walls. The d&b audiotechnik Y8, an install line array cabinet with a narrow 80 x 10 degree dispersion, is a common candidate for this kind of long, level-critical throw.

Speaker Coverage · Install line array

JBL Professional VRX932LA-1 SPL & Coverage

A 30 x 18 m conference auditorium needs enough clean SPL at the rearmost listener without the horizontal pattern spilling wastefully past the seated area. The JBL Professional VRX932LA-1 is a passive install line-array cabinet, so the coverage decision has to weigh its rated output headroom against room depth and driven level together.

Speaker Coverage · Install line array

JBL Professional SRX906LA — SPL & coverage, conference hall

A 30 × 18 m conference auditorium needs dependable SPL at a 15 m listener position without over-driving the cabinet or lighting up the side walls with excess horizontal spill.

Speaker Coverage · Point source

JBL Professional Control 25-1: SPL & coverage

A 20 x 12 m restaurant relying on background music needs a cabinet that stays intelligible at a 6 m listening distance without overpowering nearby tables. The real decision is whether the Control 25-1's rated output and dispersion give adequate SPL at that distance once drive level is set for comfortable background listening rather than full output.

Speaker Coverage · Steerable column

JBL Professional CBT 70J-1 — SPL & coverage

A 20 × 12 m house-of-worship hall needs even, intelligible coverage out to a 12 m listener without a visible line-array or a forest of ceiling speakers. The design question is whether a single steerable column can hold usable SPL at the back of the room while keeping its vertical pattern off the ceiling and walls.

Speaker Coverage · Install line array

K-array Python KP102 I: SPL & Coverage

A conference auditorium roughly 30 x 18 m needs predictable speech and programme coverage to the back rows without over-driving the front seats. For a passive install line array cabinet such as the Python KP102 I, the real design question is whether its rated output and dispersion can hold usable SPL out to the furthest listener while the horizontal pattern still matches the room width.

Speaker Coverage · Point source

K-array Domino KF212: SPL & Coverage Preset

In a 25 x 18 m live event space, the practical question is not just how many Domino KF212 boxes to hang but whether the SPL reaching a listener at 12 m still lands in a usable range once drive is pulled back from full output. The 90 deg x 60 deg dispersion also has to be checked against the room's width before assuming a single hang covers the floor edge to edge.

Speaker Coverage · Point source

K-array Lyzard KZ1 I — SPL & coverage

A 20 x 12 m restaurant dining room needs even background-music coverage without the cabinet becoming a visual or acoustic distraction at the table. The real decision is whether a compact point-source cabinet like the K-array Lyzard KZ1 I can hold a comfortable listening level out to the far tables at a sensible drive setting.

Speaker Coverage · Touring line array

K-array Firenze KH8 SPL & coverage

A touring line-array cabinet has to hold intelligible level across a large live-event floor without over-driving the box or leaving the back rows short. For a 40 x 25 m room, the real question is not just ”will it get loud enough” but whether the rated output and the 120 x 30 degree pattern still deliver usable SPL and width at the listener position that matters most.

Speaker Coverage · Install line array

K-array Kobra KK102 I — SPL & coverage in a 30 × 18 m hall

A 30 × 18 m conference auditorium needs confirmed SPL at the rear listener and a defensible horizontal coverage radius before the K-array Kobra KK102 I is specified as the install line-array of choice.

Speaker Coverage · Point source

K-array Tornado KT2: SPL & coverage at 6 m

A 20 x 12 m restaurant relying on background music needs the loudspeaker's rated output to translate into usable, even level at the listener's seat, not just at the cabinet face. For the Tornado KT2, a compact passive point-source box rated 100 dB SPL at 1 m, the real question is what level and coverage radius it actually delivers once distance and drive level are factored in.

Speaker Coverage · Touring line array

K-array Mugello KH5: SPL & Coverage for Touring Rigs

A touring line array cabinet like the Mugello KH5 has to hold usable SPL across a large live-event floor while its horizontal and vertical dispersion decide how many listener positions actually stay inside the pattern. In a 40 x 25 m room, the real question is not just ”is it loud enough at the mix position” but whether the -6 dB coverage angle actually reaches the back and sides of the floor without over-driving the box.

Speaker Coverage · Install line array

K-array Vyper KV102 II — SPL & coverage

A 30 x 18 m conference auditorium needs speech-priority coverage that reaches the back rows without spraying sound onto the ceiling or side walls. The Vyper KV102 II is an install-grade passive line array cabinet, so the real design question is whether its rated output and dispersion can hold usable SPL out to a 15 m listener while its narrow vertical pattern keeps the throw controlled.

Speaker Coverage · Point source

K-array Mastiff KM312P: SPL & coverage at 12 m

A single K-array Mastiff KM312P point-source cabinet is being considered to cover a 25 x 18 m live event space from one flown or stacked position. The real question is whether its rated output and dispersion still deliver an adequate level at a listener 12 m out, not just at the mix position.

· Next

Brief us on the project — with this configuration.

Presets are a typology starting point. The brief wizard captures the room geometry, programme and constraints we need to translate this configuration into a real design.